France d'Europe Pétrole en gros Peignant, le Cadre d'Image, Mouler, le Miroir, les Barres de Civière

 
 

GO HOMEGO HOME

Legros, Alphonse

French-born British Painter and Sculptor, 1837-1911

ID de tableau::  19144
Calvary
Calvaire
1874, Mus??e d'Orsay, Paris
1874, Musee d-Orsay, Paris
French-born British Painter and Sculptor, 1837-1911

   
 

 

 
   
      

GO HOMEGO HOME

James Ensor

Belgian 1860-1949

ID de tableau::  37456
Calvary
Calvaire
mk126 1885-88
mk126 1885-88
Belgian 1860-1949

   
 

 

 
   
      

GO HOMEGO HOME

James Ensor

Belgian 1860-1949

ID de tableau::  37457
Calvary
Calvaire
mk126 1880-86
mk126 1880-86
Belgian 1860-1949

   
 

 

 
   
      

GO HOMEGO HOME

The Brunswick Monogrammist

active in Antwerp 1588 - 1629

ID de tableau::  40989
Calvary
Calvaire
mk159 triptych mid-16th century Oil on panel central part 77x44.5cm
mk159 triptyque mi le 16e Pétrole de siècle sur le panneau partie central 77x44.5cm
active in Antwerp 1588 - 1629

   
 

 

 
   
      


ID de tableau::  63983
Calvary
1500 Oil on oak panel, 142 x 225,5 cm Groeninge Museum, Bruges Borrowings from a variety of artists (Master of Flemalle, Van der Goes, Memling and Derer) are found in the Crucifixion, most likely painted in 1500. (The date on the original frame could be rewritten.) The anonymous Bruges master, referred to on the basis of this work as the 'Master of the Bruges Passion Scenes', combined the three principal elements of the Passion story in a single landscape setting. , Artist: UNKNOWN MASTER, Flemish , Calvary , 1501-1550 , Flemish , painting , religious

   
 

 

 
   
      


ID de tableau::  64181
Calvary
1400 Oak, 70,5 x 141 cm Groeninge Museum, Bruges The immense growth and renewal of painting as an artistic medium that occurred in the Southern Netherlands from around 1425-30 meant that most existing altarpieces were gradually replaced. Examples of fourteenth- or even early fifteenth-century panel painting are thus extremely scarce. One such work, from around 1400, is the Crucifixion with Saint Catherine and Saint Barbara, also known as the 'Tanners' Crucifixion', because it probably once belonged to the Bruges tanners' guild. It is one of the very few well-preserved examples of local Flemish painting in the Gothic International Style, which conquered Europe with its courtly and artful grace, elegant curves and decorative linearism. Tightly knit groups of figures are arranged on either side of the Cross in matching curved formations. The Virgin and Saint John form the nucleus of the group on the left, while the centurion and high priest do the same on the right. The sky is an unreal, golden plane with decorative motifs in relief. The painting is a 'chest retable', so called because the lid folds up to reveal a blue painted surface showing a geometric, starry sky. It is often held up as an exemplar of Bruges painting before Van Eyck, even though it could equally well have been produced in Brabant. , Artist: UNKNOWN MASTER, Flemish , Calvary , 1401-1450 , Flemish , painting , religious

   
 

 

 
   
      


ID de tableau::  86806
Calvary
Date 1500(1500) Medium Oil on oak panel Dimensions Height: 142 cm (55.9 in). Width: 225.5 cm (88.8 in). cjr

   
 

 

 
   
      

unknow artist

Calvary

        
 
   
 

index de dessins: ABCDEFGHIJKLMNOPQRSTUVWXYZ
index d'artistes:    ABCDEFGHIJKLMNOPQRSTUVWXYZ

Send  Us Email:    intofineart@hotmail.com

IntoFineArt Co,.Ltd.